Always impeccably dressed, George Pitt Morison was a distinguished and influential figure in Western Australia's arts scene. As the curator of art at the WA Museum and Art Gallery, he was a passionate supporter of the arts. However, his approach to his own artistic work often leaned toward conservatism. Despite receiving excellent training ... in Australia and studying in France alongside his close friend Emanuel Philips Fox, Morison chose a path in arts administration over a career as a practicing artist.

Although he took on select commissions, such as creating the "Foundation of Perth" for the Western Australian Centenary Celebrations, and occasionally exhibited his work in solo shows, Morison primarily painted for personal enjoyment rather than as a means of livelihood. His choice to focus on administrative duties rather than pursuing a full-time artistic career highlights his preference for shaping the broader cultural landscape of his community.

The painting “Toodyay” exemplifies the skills of a well-trained artist. The composition is strong, and the delicate washes of colour evoke a distinctly Australian landscape, suggesting that Morison was recording the scene for future reference—perhaps intending to develop it into a larger piece. His technical ability and careful observation are evident in the work.

Pitt Morison served as the assistant director and curator of the state art gallery for 36 years, earning great respect within the arts community. His contributions were acknowledged through two notable portraits painted by John Brackenreg and Elizabeth Blumann, solidifying his legacy in Western Australia's cultural history.